Just over a decade has passed since Alexisonfire's eponymously named debut album was unleashed upon the world.
Hailing from Ontario, Canada, Alexisonfire burst through the hardcore scene with rip-roaring energy, gut-busting adrenaline, and teeth-shattering noise. Their notorious live shows soon became stuff of legend, and with each album released they notched up a few more places on the richter scale of ear splitting sound.
Fans, and fellow musicians were left reeling when it was announced they would be breaking up back in 2011 — citing Dallas Green's wish to focus solely on City and Colour as one of the main reasons for their split.
In true Alexis style they delivered the goods, and gave their fans one last chance to catch them doing what they do better than anyone else — putting on a huge live show, and announced a farewell tour.
It wasn't long before each venue around the world was sold out, and the five metal masters would take to the stage together one last time.
They performed fan favourites We Are The Sound, Boiled Frogs, .44 Caliber Love Letter, Dog's Blood, and the timeless This Could Be Anywhere In The World.
As hard as it is to see them bow out, and knowing there will be no more new Alexis albums to anticipate and obsess over, it's fitting to see them leave at the top of their game. Unrivalled when it comes to live shows, unbeatable when it comes to writing killer riffs that blow steam from your ears, and eternally unforgettable.
So there it is, the only band ever — no more.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Wednesday, 2 January 2013
Thursday, 20 December 2012
Songs of the week
Coming Apart Again — Dear Prudence
Inspired by The Cure, Siouxsie Sioux, and Depeche Mode, Brighton five-piece Dear Prudence have a powerful noir-pop sound fused with a dark and moodish stage presence, reminiscent of the 80's with their own fresh modern day twist. Singer songwriter Madi Poncia's smoky, haunting vocals are stunning and sure to leave you hitting repeat all day. Do yourself a huge favour, and check out their YouTube channel for more.
Black Chandelier — Biffy Clyro
You know what I most love about Biffy? No, it's not Simon Neil's exquisite beard of Zeus. It's that after listening to one or two seconds of their music you KNOW it's them — but the magic lies in that they aren't samey. So many incredible bands create a beautiful, distinctive sound and stick with it — forever. And, yeah sure I can get behind that, if it ain't broke don't fix it right? Well, Biffy mix it up, they take risks, and they're creative. But most importantly they're always damn good. This is no exception.
My Life — 50 Cent ft. Adam Levine and Eminem
It's nothing new to hear Mr. Cent collaborate with Mr. Shady — but it is a risk. It's dangerous to have Eminem feature on your track because, inevitably, it becomes his track. But the two have worked together a million times, and it's never been anything short of fan-fucking-tastic. Having said that, it was a genius move to bring the Maroon 5 frontman in — his distinctive voice juxtaposes brilliantly with the rap verses.
Inspired by The Cure, Siouxsie Sioux, and Depeche Mode, Brighton five-piece Dear Prudence have a powerful noir-pop sound fused with a dark and moodish stage presence, reminiscent of the 80's with their own fresh modern day twist. Singer songwriter Madi Poncia's smoky, haunting vocals are stunning and sure to leave you hitting repeat all day. Do yourself a huge favour, and check out their YouTube channel for more.
Black Chandelier — Biffy Clyro
You know what I most love about Biffy? No, it's not Simon Neil's exquisite beard of Zeus. It's that after listening to one or two seconds of their music you KNOW it's them — but the magic lies in that they aren't samey. So many incredible bands create a beautiful, distinctive sound and stick with it — forever. And, yeah sure I can get behind that, if it ain't broke don't fix it right? Well, Biffy mix it up, they take risks, and they're creative. But most importantly they're always damn good. This is no exception.
My Life — 50 Cent ft. Adam Levine and Eminem
It's nothing new to hear Mr. Cent collaborate with Mr. Shady — but it is a risk. It's dangerous to have Eminem feature on your track because, inevitably, it becomes his track. But the two have worked together a million times, and it's never been anything short of fan-fucking-tastic. Having said that, it was a genius move to bring the Maroon 5 frontman in — his distinctive voice juxtaposes brilliantly with the rap verses.
Labels:
50 cent,
bands,
biffy clyro,
Brighton,
Dear Prudence,
eminem,
hip hop,
music,
songs,
the cure
Thursday, 12 April 2012
Rock n' Art.
Woah. I just stumbled upon THIS website full of incredibly beautiful oil paintings, acrylic paintings, drawings, and multimedia pictures of Rock heroes from Robert Plant to Ozzy Osbourne and more!
I just spent way too long in awe of each and every piece, and I cannot recommend enough everyone goes and checks the site out but I included a few of my faves. I just love the multimedia one of Jimmy Page, so killer!
You’re welcome! xo
Nikki Sixx Jimmy Page

Oli Sykes, Bring Me The Horizon
Jimi Hendrix
Labels:
art,
jimi hendrix,
jimmy page,
music,
nikki six,
oli sykes,
paintings
Tuesday, 10 April 2012
Architects live @ Concorde 2, Brighton.
01.04.2012
Architects were set to kick off their latest UK headline tour at home in Brighton's Concorde 2, with support from New York rockers Stray From The Path and Sheffield 'Mathcore' band Rolo Tomassi.
Both supporting bands warmed the mixed crowd up nicely with strong, tight performances before the Brighton boys slipped onto the stage creating a haunting atmosphere by opening their setlist with 'Devil's Island': A song filled with passion, angst, and political animation condemning the recent London riots was the perfect choice to ignite the crowd of young, and old, life-long, and new fans.
Chests started pounding, heads were banging, and bodies began flying (literally) as they took things up a notch in the heavy stakes by performing old favourites 'Follow The Water', 'Numbers Count For Nothing', and 'Dethroned'.
Their friendship, and unity is a key factor in ensuring that the guitars were tight, the histrionics were impressive, the drumming was emphatic and frontman Sam Carter's passion and energy was second to none. His love for performing was clear to see as he interacted with the excitable crowd telling them how 'good it feels to be back home', and sharing stories about his own memories of watching his favourite bands in this very venue growing up.
The new and improved lighting was an effective addition to their live performances which added a touch of quality, and proved that it is the small details that make the biggest impact - particularly in smaller, more compact venues such as Concorde 2.
They had created an infectious, and excited atmosphere by making their way through albums 'Hollow Crown' and 'Here and Now', before finishing things off with their brand new single 'These Colours Don't Run', that despite only being released a week previous to the show saw a room full of adoring fans screaming every word back at them.
The Brighton quintet couldn't stay off the stage for long, as they returned to chanting fans demanding an encore to perform favourites 'Hollow Crown' and 'Early Grave'.
Their decision to leave 'Heartburn' out of the setlist suggests a choice to continue moving forward with their original ear-splitting heavy sound.
An impressive, explosive, and professional performance that demonstrates Architects' power and prowess over other metal core bands of this generation. Sam Carter told the crowd it was the bands 'fourth time playing in this venue', and without a shadow of a doubt it was their best performance yet. Wonder if they've managed to secure the roof back on yet...
Architects' new album 'Daybreaker' will be released May 28th.
Architects were set to kick off their latest UK headline tour at home in Brighton's Concorde 2, with support from New York rockers Stray From The Path and Sheffield 'Mathcore' band Rolo Tomassi.
Both supporting bands warmed the mixed crowd up nicely with strong, tight performances before the Brighton boys slipped onto the stage creating a haunting atmosphere by opening their setlist with 'Devil's Island': A song filled with passion, angst, and political animation condemning the recent London riots was the perfect choice to ignite the crowd of young, and old, life-long, and new fans.
Chests started pounding, heads were banging, and bodies began flying (literally) as they took things up a notch in the heavy stakes by performing old favourites 'Follow The Water', 'Numbers Count For Nothing', and 'Dethroned'.
Their friendship, and unity is a key factor in ensuring that the guitars were tight, the histrionics were impressive, the drumming was emphatic and frontman Sam Carter's passion and energy was second to none. His love for performing was clear to see as he interacted with the excitable crowd telling them how 'good it feels to be back home', and sharing stories about his own memories of watching his favourite bands in this very venue growing up.
The new and improved lighting was an effective addition to their live performances which added a touch of quality, and proved that it is the small details that make the biggest impact - particularly in smaller, more compact venues such as Concorde 2.
They had created an infectious, and excited atmosphere by making their way through albums 'Hollow Crown' and 'Here and Now', before finishing things off with their brand new single 'These Colours Don't Run', that despite only being released a week previous to the show saw a room full of adoring fans screaming every word back at them.
The Brighton quintet couldn't stay off the stage for long, as they returned to chanting fans demanding an encore to perform favourites 'Hollow Crown' and 'Early Grave'.
Their decision to leave 'Heartburn' out of the setlist suggests a choice to continue moving forward with their original ear-splitting heavy sound.
An impressive, explosive, and professional performance that demonstrates Architects' power and prowess over other metal core bands of this generation. Sam Carter told the crowd it was the bands 'fourth time playing in this venue', and without a shadow of a doubt it was their best performance yet. Wonder if they've managed to secure the roof back on yet...
Architects' new album 'Daybreaker' will be released May 28th.
Monday, 9 April 2012
On genres.
Just a word about music genres: They are worthless.
A typical everyday conversation between me, and others often goes like this, "What kind of music do you like?" "Metal." "Cool." ... A few minutes/hours/days/weeks/months pass and I happen to mention my affection for, say, Blink-182 and BAM "Whoa, wait! I thought you liked metal and now you're tellin' me you listen to blink? You listen to pop-punk but you like metal?..."
Here's the thing it doesn't matter if you're a raging metal head with straight black hair down to your knees, ten pounds of metal punched through every orifice in your body, six inch platforms, and Norwegian death metal blaring out of your iPod at any given moment, if you wanna kick back and listen to Sonny and Cher once in a while then more power to you!
Genres are simply a way of segregating and organising bands into categories in a record store... Last time I checked we're not records, and we're not being organised into a rack. "Hey you, yeah you with the pink mohawk over there - don't even think about talking to the kids in plaid shirts."
So whatever, let's all just love and enjoy music - not genres, but MUSIC. (Oh, and this has absolutely nothing to do with the history, or culture, or empowerment of movements etc. I'm just talking straight up categorising).
Music genres are worthless boundaries.
Now I'm off to go listen to Jimmy Eat World. Party on.
A typical everyday conversation between me, and others often goes like this, "What kind of music do you like?" "Metal." "Cool." ... A few minutes/hours/days/weeks/months pass and I happen to mention my affection for, say, Blink-182 and BAM "Whoa, wait! I thought you liked metal and now you're tellin' me you listen to blink? You listen to pop-punk but you like metal?..."
Here's the thing it doesn't matter if you're a raging metal head with straight black hair down to your knees, ten pounds of metal punched through every orifice in your body, six inch platforms, and Norwegian death metal blaring out of your iPod at any given moment, if you wanna kick back and listen to Sonny and Cher once in a while then more power to you!
Genres are simply a way of segregating and organising bands into categories in a record store... Last time I checked we're not records, and we're not being organised into a rack. "Hey you, yeah you with the pink mohawk over there - don't even think about talking to the kids in plaid shirts."
So whatever, let's all just love and enjoy music - not genres, but MUSIC. (Oh, and this has absolutely nothing to do with the history, or culture, or empowerment of movements etc. I'm just talking straight up categorising).
Music genres are worthless boundaries.
Now I'm off to go listen to Jimmy Eat World. Party on.
Tuesday, 21 February 2012
Top Ten Favourite Covers Of All Time
Of ALL time...
10. Kiss Me - New Found Glory
Original artist: Sixpence None The Richer
A happy-clappy-feel-good song that makes you feel like it's summer again. The trick of a good cover song is to make it your own - NFG ticked that box.
9. Love Buzz - Nirvana.
Original artist: Shocking Blue
Nirvana covered this little beauty back in 1988 and released it as their debut single - they changed it up, and created an intensely brilliant bassline that is so clear throughout the track you can actually hear Novoselic plucking the strings. This song captures the essence of Nirvana: raw, gritty, strach, and unpolished yet beauty incarnate.
8. Police and Thieves - The Clash
Original artist: Junior Murvin
At the time of this release British reggae was dull and lacklaster in it's polite attempt to be original, so this stripped-back garage rock approach from The Clash was a glorious, and refreshing sound. Plus the bass is killer!
7. I Fought The Law - The Clash
Original artist: The Crickets
The original release by The Crickets suggested that this was a song about stealing sweets from the corner shop, skipping the bus without paying your fare, or not returning your library books but twenty years later when The Clash got hold of it, it sounded like a gang of outlaws fleeing their fate. Punk rock meets classic rock n roll. Schwing.
6. Feeling Good - Muse
Original artist: Nina Simone
Remember what we said about making a song sound like you wrote it? Well, here's another great example of just that. Coupled with the video, there's something a little freaky about this cover which is always a winner in my book.
5. Dear Prudence - Siouxsie & The Banshees
Original artist: The Beatles
Dreamy, whiter-than-white, 60's psychedelia turned into dark, edgy, androgynous, no-fucks-given, sex-goth... What's not to love?
4. All Along The Watchtower - The Jimi Hendrix Experience
Original artist: Bob Dylan
This song was transformed from a small, haunting song into an overnight hit the second Jimi Hendrix got his hands on it. A raging, spitfire of a cover - epic doesn't quite cover it.
3. Nothing Compares 2 U - Sinead O' Connor
Original artist: The Family
Prince decided he wasn't interested in touching this song, so Miss O'Connor stepped up to the plate and turned it into one of the most spine-tingling, heart-wrenching classics of all time. Instantly recognisable, and one of the most flawless and hearfelt vocal performances ever recorded.
2. Bad Romance - 30 Seconds To Mars
Original artist: Lady Gaga
Haunting? Check. Spooky? Check. Original? Check. Frontman Leto re-wrote the song (thank godfather's) and delivered of the most eery, and poignant covers heard live on radio in, well, forever. Sometimes, you don't need guitar histrionics, and unrelenting basslines to dish out an instant hit. Beautiful. Simple. Killer.
1. Here Comes The Night - David Bowie
Original artist: Van Morrison ft. Them
Faster tempo than the original, with Bowie's trademark breathy, breathtaking vocals there was no way this was never gonna be number one on this list. Total killer.
Happy Listening!
10. Kiss Me - New Found Glory
Original artist: Sixpence None The Richer
A happy-clappy-feel-good song that makes you feel like it's summer again. The trick of a good cover song is to make it your own - NFG ticked that box.
9. Love Buzz - Nirvana.
Original artist: Shocking Blue
Nirvana covered this little beauty back in 1988 and released it as their debut single - they changed it up, and created an intensely brilliant bassline that is so clear throughout the track you can actually hear Novoselic plucking the strings. This song captures the essence of Nirvana: raw, gritty, strach, and unpolished yet beauty incarnate.
8. Police and Thieves - The Clash
Original artist: Junior Murvin
At the time of this release British reggae was dull and lacklaster in it's polite attempt to be original, so this stripped-back garage rock approach from The Clash was a glorious, and refreshing sound. Plus the bass is killer!
7. I Fought The Law - The Clash
Original artist: The Crickets
The original release by The Crickets suggested that this was a song about stealing sweets from the corner shop, skipping the bus without paying your fare, or not returning your library books but twenty years later when The Clash got hold of it, it sounded like a gang of outlaws fleeing their fate. Punk rock meets classic rock n roll. Schwing.
6. Feeling Good - Muse
Original artist: Nina Simone
Remember what we said about making a song sound like you wrote it? Well, here's another great example of just that. Coupled with the video, there's something a little freaky about this cover which is always a winner in my book.
5. Dear Prudence - Siouxsie & The Banshees
Original artist: The Beatles
Dreamy, whiter-than-white, 60's psychedelia turned into dark, edgy, androgynous, no-fucks-given, sex-goth... What's not to love?
4. All Along The Watchtower - The Jimi Hendrix Experience
Original artist: Bob Dylan
This song was transformed from a small, haunting song into an overnight hit the second Jimi Hendrix got his hands on it. A raging, spitfire of a cover - epic doesn't quite cover it.
3. Nothing Compares 2 U - Sinead O' Connor
Original artist: The Family
Prince decided he wasn't interested in touching this song, so Miss O'Connor stepped up to the plate and turned it into one of the most spine-tingling, heart-wrenching classics of all time. Instantly recognisable, and one of the most flawless and hearfelt vocal performances ever recorded.
2. Bad Romance - 30 Seconds To Mars
Original artist: Lady Gaga
Haunting? Check. Spooky? Check. Original? Check. Frontman Leto re-wrote the song (thank godfather's) and delivered of the most eery, and poignant covers heard live on radio in, well, forever. Sometimes, you don't need guitar histrionics, and unrelenting basslines to dish out an instant hit. Beautiful. Simple. Killer.
1. Here Comes The Night - David Bowie
Original artist: Van Morrison ft. Them
Faster tempo than the original, with Bowie's trademark breathy, breathtaking vocals there was no way this was never gonna be number one on this list. Total killer.
Happy Listening!
On The Brit Awards
Yes! It's the night we've all been waiting for, haven't we? The night where the best songwriters, musicians, and artists are awarded and recognised for all their hard grafting, aren't they?
Before I throw my two cents in, let's have a little look at the nominees...
Best British Male:
Ed Sheeran
James Blake
James Morrison
Professor Green
Noel Gallagher's High Flying Birds
Best British Female:
Adele
Jessie J
Florence & The Machine
Kate Bush
Laura Marling
Breakthrough Act:
Anna Calvi
Ed Sheeran
The Vaccines
Jessie J
Emeli Sande
Best British Group:
Artic Monkeys
Chase & Status
Coldplay
Elbow
Kasabian
And here's where it all gets a bit mental, but bear with me... (oh and just for fun I've bolded the ones I've actually heard!)
British Single:
Adele - Someone Like You
Ed Sheeran - The A Team
Example - Changed The Way You Kissed Me
Jessie J - Price Tag
JLS - She Makes Me Wanna
Olly Murs - Heart Skips A Beat
Military Wives - Wherever You Are
One Direction - You Don't Know You're Beautiful
Pixie Lott - All About Tonight
The Wanted - Glad You Came
To put it simply: do I think this is fair, and honest representation of the Best British Talent over the past year (since the last awards, I'm assuming)? Erm, in a word - NO.
Why, I hear you ask... Let me tell you. Please, I won't keep you long.
Granted, there's some good talent there - and it won't take a genius to work out who I rate, BUT my problem is why do The Brits constantly IGNORE some of the greatest talent this country has ever seen/produced?
The Brits is all a bit of fun, so let's not take it too seriously and just remember it's not about the 'Best of British Talent Awards' but instead, 'The best-and-most-radio-appropriate-songs-and-artists-we-could-think-of Awards'.
Now for the fun bit, where I say who I think should win! Party.
Best British Male = Ed Sheeran.
Best British Female = Adele.
Breakthrough Act = Rizzle Kicks, (yes really), oh wait not there?! hmmmm
Best British Group = Enter Shikari (Yes really), oh wait not there?! Hmm..
Best British Album = A Flash Flood Of Colour OR Punk & Poetry(yes really), oh wait not there?!
Best British Single = Paradise by Coldplay (yes really, and I don't even like Coldplay), oh wait not there?!
Before I throw my two cents in, let's have a little look at the nominees...
Best British Male:
Ed Sheeran
James Blake
James Morrison
Professor Green
Noel Gallagher's High Flying Birds
Best British Female:
Adele
Jessie J
Florence & The Machine
Kate Bush
Laura Marling
Breakthrough Act:
Anna Calvi
Ed Sheeran
The Vaccines
Jessie J
Emeli Sande
Best British Group:
Artic Monkeys
Chase & Status
Coldplay
Elbow
Kasabian
British Album:
Adele - 21
Coldplay - Mylo Xylo
Ed Sheeran - -+
Florence & The Machine - Ceremonials
PJ Harvey - Let England Shake
And here's where it all gets a bit mental, but bear with me... (oh and just for fun I've bolded the ones I've actually heard!)
British Single:
Adele - Someone Like You
Ed Sheeran - The A Team
Example - Changed The Way You Kissed Me
Jessie J - Price Tag
JLS - She Makes Me Wanna
Olly Murs - Heart Skips A Beat
Military Wives - Wherever You Are
One Direction - You Don't Know You're Beautiful
Pixie Lott - All About Tonight
The Wanted - Glad You Came
To put it simply: do I think this is fair, and honest representation of the Best British Talent over the past year (since the last awards, I'm assuming)? Erm, in a word - NO.
Why, I hear you ask... Let me tell you. Please, I won't keep you long.
Granted, there's some good talent there - and it won't take a genius to work out who I rate, BUT my problem is why do The Brits constantly IGNORE some of the greatest talent this country has ever seen/produced?
The Brits is all a bit of fun, so let's not take it too seriously and just remember it's not about the 'Best of British Talent Awards' but instead, 'The best-and-most-radio-appropriate-songs-and-artists-we-could-think-of Awards'.
Now for the fun bit, where I say who I think should win! Party.
Best British Male = Ed Sheeran.
Best British Female = Adele.
Breakthrough Act = Rizzle Kicks, (yes really), oh wait not there?! hmmmm
Best British Group = Enter Shikari (Yes really), oh wait not there?! Hmm..
Best British Album = A Flash Flood Of Colour OR Punk & Poetry(yes really), oh wait not there?!
Best British Single = Paradise by Coldplay (yes really, and I don't even like Coldplay), oh wait not there?!
Labels:
awards,
brit awards,
coldplay,
enter shikari,
music
Tuesday, 14 February 2012
She left me roses by the stairs, surprises let me know she cares...
Happy V day to all you lovesick pups out there.
If you're as cool as me, you'll no doubt be spending the day in the company of a furry, four legged friend drinking peppermint tea, and air-guitaring to your fave anthems. Party!
Just in case you ain't so sure of what to party to, I've compiled a little list of feel-good Valentine's (they've got nothing to do with Valentine's) day tunes... Party on Wayne, party on Garth.
All The Small Things - Blink-182.
Unfortunately my boyfriend Tom Delonge couldn't be with me on this special day, so I can only get my slice of delonge-pie by filling the air with that oh-so-sexy-if-not-a-little-whiny-all-american-boy voice of his. Watching the video, and pausing it on his naked body is totally acceptable too!
Basket Case - Green Day.
These are the most appropriate Valentines lyrics, like, ever. I went to a whore, who said my life's a bore... Romance is dead? I think not.
Dear Maria - All Time Low.
I'm not quite sure what it is but there is something about these four humans that makes me all warm n' fuzzy inside, plus this song's a total jam so any excuse really.
Want You Bad - The Offspring.
The anthem to my childhood, and an all round fan-fucking-tastic song. The only way to listen to this is full volume, in your pyjamas and hairbrush used as microphone in hand. Rock on fellow humans.
Used For Glue - Rival Schools.
My favourite band. Their best song. Most infectious base line in music history. Win win winning.
Sweet Child O' Mine - Guns N' Roses.
If Axl Rose strutting about the place in so-tight-they-look-sprayed-on leather pants isn't enough to put a smile on your face, then you may need to check for a pulse. Plus that guitar solo makes me feel happier than any Hallmark holiday ever could.
Bohemian Rhapsody - Queen.
"Gentleman, I think this calls for a little Bohemian Rhapsody!" - nuff said.
Whole Lotta Love - Led Zeppelin.
Get the led out. End of.
You're So Last Summer - Taking Back Sunday.
There's something about Adam Lazarra that makes me happy, very happy indeed. Maybe it's that hair, maybe it's that voice, or maybe it's his knack for writing hopelessly, tragically romantic lyrics a la 'you could slit my throat, and with one last gasping breath I'd apologise for bleeding on your shirt', - that is true love baby!
Tears Don't Fall - Bullet For My Valentine.
No prizes for guessing why this little beauty made the list - if you guessed Matt Tuck being sexy, appropriate band name, and all-round kick ass band then you win no prizes for guessing correctly.
Schwing.
If you're as cool as me, you'll no doubt be spending the day in the company of a furry, four legged friend drinking peppermint tea, and air-guitaring to your fave anthems. Party!
Just in case you ain't so sure of what to party to, I've compiled a little list of feel-good Valentine's (they've got nothing to do with Valentine's) day tunes... Party on Wayne, party on Garth.
All The Small Things - Blink-182.
Unfortunately my boyfriend Tom Delonge couldn't be with me on this special day, so I can only get my slice of delonge-pie by filling the air with that oh-so-sexy-if-not-a-little-whiny-all-american-boy voice of his. Watching the video, and pausing it on his naked body is totally acceptable too!
Basket Case - Green Day.
These are the most appropriate Valentines lyrics, like, ever. I went to a whore, who said my life's a bore... Romance is dead? I think not.
Dear Maria - All Time Low.
I'm not quite sure what it is but there is something about these four humans that makes me all warm n' fuzzy inside, plus this song's a total jam so any excuse really.
Want You Bad - The Offspring.
The anthem to my childhood, and an all round fan-fucking-tastic song. The only way to listen to this is full volume, in your pyjamas and hairbrush used as microphone in hand. Rock on fellow humans.
Used For Glue - Rival Schools.
My favourite band. Their best song. Most infectious base line in music history. Win win winning.
Sweet Child O' Mine - Guns N' Roses.
If Axl Rose strutting about the place in so-tight-they-look-sprayed-on leather pants isn't enough to put a smile on your face, then you may need to check for a pulse. Plus that guitar solo makes me feel happier than any Hallmark holiday ever could.
Bohemian Rhapsody - Queen.
"Gentleman, I think this calls for a little Bohemian Rhapsody!" - nuff said.
Whole Lotta Love - Led Zeppelin.
Get the led out. End of.
You're So Last Summer - Taking Back Sunday.
There's something about Adam Lazarra that makes me happy, very happy indeed. Maybe it's that hair, maybe it's that voice, or maybe it's his knack for writing hopelessly, tragically romantic lyrics a la 'you could slit my throat, and with one last gasping breath I'd apologise for bleeding on your shirt', - that is true love baby!
Tears Don't Fall - Bullet For My Valentine.
No prizes for guessing why this little beauty made the list - if you guessed Matt Tuck being sexy, appropriate band name, and all-round kick ass band then you win no prizes for guessing correctly.
Schwing.
Saturday, 21 January 2012
A Flash Flood Of Colour
With such high expectation surrounding the release of Enter Shikari's third studio album, the boys made sure they delivered something that would not dissapoint and would not be forgotten in a flash...
A Flash Flood Of Colour begins with 'System...', with opening lyrics of a beautiful metaphor comparing our dear old Blighty to a house succumbing to the eroding cliff face of it's foundation...
It was clear from the band's second album, 'Common Dreads', that they were moving towards being another 'political' band with something to say - but it's frontman Rou Reynold's passion, and venom-spitting conviction with his lyrics that seperates them from the rest. Not all the glory lies with Reynolds, however, they are very much a band whose successes rely on the strength and solidarity of them as a four-piece. Their notorious live shows are packed-full of high energy, sheer passion, and madness from the word go thanks to loyal fans, and a unified band.
A Flash Flood Of Colour has been sitting on the top spot of the album charts since it's release on Monday, which sparks suggestion that they are moving toward mainstream success - however, you can rest assured this is not a band who look like buckling to mainstream pressures. They have achieved their success by sticking to their guns, and pursuing their beliefs - clearly demonstrated throughout the 11 tracks on the album.
A number one album for a band like this would be a triumph for independent music, and real music fans - fans who follow the band religiously with anticipation and excitement. Fans who buy albums, and travel around the country to secure their place in as many mosh pits as they can. Fans who feel a part of the movement.
This album is not only their angriest, and most aggresive yet but their most beautiful. Amongst the sonic barrage, there are moments of pure tenderness and poignance in songs like 'Constellations' and 'Stalemate' whilst maintaining a strong sense of purpose and direction.
Songs like 'Sssnakepit' and 'Gandhi Mate, Gandhi' seem to be steered on pure adrenaline & rip-roaring choruses as they tackle their anti-communist spiel.
From beginning to end, the album is like an assault course of experimentation, from it's electronics, classic metal-riffs, piano, brass & string arrangements to acoustic guitar, it has it all.
One things for sure, unlike their message in 'Arguing with thermometers', "you haven't thought this through have you boys?" - it is clear that they have thought this through, and in doing so they have delivered an album with brutal conviction, unrelenting energy and impressive spirit.
A Flash Flood Of Colour begins with 'System...', with opening lyrics of a beautiful metaphor comparing our dear old Blighty to a house succumbing to the eroding cliff face of it's foundation...
'There was a house in a field on the side of a cliff, and the waves crashing below were just said to be a myth, so they ignored the warnings from the ships in the docks. Now the house on the cliff is the wreckage on the rocks.'This is a clear indication of where the albums heading, and from there on out the metaphors keep getting better, and the message keeps getting stronger.
It was clear from the band's second album, 'Common Dreads', that they were moving towards being another 'political' band with something to say - but it's frontman Rou Reynold's passion, and venom-spitting conviction with his lyrics that seperates them from the rest. Not all the glory lies with Reynolds, however, they are very much a band whose successes rely on the strength and solidarity of them as a four-piece. Their notorious live shows are packed-full of high energy, sheer passion, and madness from the word go thanks to loyal fans, and a unified band.
A Flash Flood Of Colour has been sitting on the top spot of the album charts since it's release on Monday, which sparks suggestion that they are moving toward mainstream success - however, you can rest assured this is not a band who look like buckling to mainstream pressures. They have achieved their success by sticking to their guns, and pursuing their beliefs - clearly demonstrated throughout the 11 tracks on the album.
A number one album for a band like this would be a triumph for independent music, and real music fans - fans who follow the band religiously with anticipation and excitement. Fans who buy albums, and travel around the country to secure their place in as many mosh pits as they can. Fans who feel a part of the movement.
This album is not only their angriest, and most aggresive yet but their most beautiful. Amongst the sonic barrage, there are moments of pure tenderness and poignance in songs like 'Constellations' and 'Stalemate' whilst maintaining a strong sense of purpose and direction.
Songs like 'Sssnakepit' and 'Gandhi Mate, Gandhi' seem to be steered on pure adrenaline & rip-roaring choruses as they tackle their anti-communist spiel.
From beginning to end, the album is like an assault course of experimentation, from it's electronics, classic metal-riffs, piano, brass & string arrangements to acoustic guitar, it has it all.
One things for sure, unlike their message in 'Arguing with thermometers', "you haven't thought this through have you boys?" - it is clear that they have thought this through, and in doing so they have delivered an album with brutal conviction, unrelenting energy and impressive spirit.
Thursday, 12 January 2012
What's happened to the music industry?
There has been a significant change in music in recent decades - from the way we acquire it to the crowds at gigs. There was a time when fans went out and bought their favourite artist's albums - trust me when I say saving up your pocket money for a few weeks so you can sprint down to your local record shop to get your grubby little hands on some new discs is one of the greatest feelings ever. Phenomenally better than pirating it and pretending you're a "huge" fan. (I'm guessing you wouldn't waltz into HMV and steal the cd's off the shelf, so why steal it off the interweb?! Dont.)
As my dad keeps reminding me, there was a time when 'music meant something' - songs you heard on the radio had substance, purpose and meaning. Now it's all about money, bitches & fast cars isn't it?
Well maybe not...
All I keep hearing these days on twitter, facebook, tumblr and 'on the street' is, “today’s music is shit dude - what happened?” and I’m like WHAT THE HELL ARE YOU LISTENING TO THEN?
I don’t know about you but I’m surrounded by sonic beauty each and everyday and the majority of it is brand new (hmm, yes brand new the band and as in well it’s new, funny that). Yes, I’ll grant you there is a buttload of horseshit out there, and I’ll agree with Billie Joe Armstrong when he said that ‘popular music today is the worst it’s ever been’ - a lot of it is nothing short of atrocious, regurgitated, money making, diluted, pop crap BUT the beautiful thing about music is that there is and always be an alternative. Even if you have to dig deep into the depths of the undergroud you’re bound to find some exciting, explosive new and raw talent.
La Dispute’s new album is phenomenally beautiful. It is a triumphant album full of poignance and mesmerizing talent. I had to hunt about to find this Michigan quintet, but I am glad I did - they're bringing a unique sound of their packed full of spine-tingling emotion and stripped down, raw energy.
Deaf Havana’s latest album, Fools and Worthless Liars, is stunning. Every single track is packed with emotion, and lyrically it is the best I’ve heard from them in a long while.
Enter Shikari keep pulling it out the bag - they are getting bigger and bigger, and are proving without a doubt that they are the most innovative and creative band in the world today. Unafraid to take risks, and unwilling to be confined within one genre they are a four piece powerhouse. They do get radio play, and they seem to be forever touring so there is NO excuse not to be familiar with their music. Take it from me, when it comes to live shows they are in a league of their own.
The King Blues are killing it. Their live shows are like nothing you will ever see - each word that drips from frontman Itch’s mouth is poetry dancing through the air igniting a fire in your soul. Pure and utter punk.
Deaf Havana’s latest album, Fools and Worthless Liars, is stunning. Every single track is packed with emotion, and lyrically it is the best I’ve heard from them in a long while.
Enter Shikari keep pulling it out the bag - they are getting bigger and bigger, and are proving without a doubt that they are the most innovative and creative band in the world today. Unafraid to take risks, and unwilling to be confined within one genre they are a four piece powerhouse. They do get radio play, and they seem to be forever touring so there is NO excuse not to be familiar with their music. Take it from me, when it comes to live shows they are in a league of their own.
The King Blues are killing it. Their live shows are like nothing you will ever see - each word that drips from frontman Itch’s mouth is poetry dancing through the air igniting a fire in your soul. Pure and utter punk.
That is just four examples of today’s talent - today’s incredible talent.
If you, quite rightly, think that the stuff you hear on mainstream radio is crap then I implore you to turn it the fuck off. Go out to your local record store and have a rummage. You will not be dissapointed.
If you, quite rightly, think that the stuff you hear on mainstream radio is crap then I implore you to turn it the fuck off. Go out to your local record store and have a rummage. You will not be dissapointed.
There are so many amazing new bands coming through the woodwork all the time, but you gotta get out there and find them. Go to gigs, buy music, read rock magazines… Rock and Roll will never die.
Monday, 9 January 2012
We Don't Belong Here.
It's so easy - Guns N' Roses
Born and Raised - Alexisonfire
Destabilise - Enter Shikari
Before I forget - Slipknot
Wrong way kids - Bad Religion
5 songs to put a spring in your step on this dark & gloomy afternoon - the only way to listen to them is on full volume. Happy listening!
Born and Raised - Alexisonfire
Destabilise - Enter Shikari
Before I forget - Slipknot
Wrong way kids - Bad Religion
5 songs to put a spring in your step on this dark & gloomy afternoon - the only way to listen to them is on full volume. Happy listening!
Sunday, 8 January 2012
Albums to hear before you die.
Part 4.
It seems only appropriate to start off 2012 by talking about, perhaps, the most influential and groundbreaking album in music history.
Ladies and Gentleman, I give you the album that changed everything...
Never Mind The Bollocks, Here's The Sex Pistols - Sex Pistols.
Released in 1977 to a barrage of controversy from the 'obscene' album name, to the opposition over the lyrics to songs 'Anarchy in the U.K' and 'God save the Queen', Never Mind The Bollocks, Here's The Sex Pistols was to be the only album the band ever recorded and released.
Rotten's assault of angry vocals with a bitter, spit-slurring, foaming delivery was the first of it's kind at the time of release, as was his use of profanity to convey the band's message in the most impolite, and controversial manner possible. Despite the alternating between screaming, whining and growling the Pistols' managed to do what so many bands have failed to do since them: clearly present the listeners with harsh social critiques and commentaries, as loud and clear as a smack in the face, under a wall of noise and rage brought to us by the bass guitar of Jones, Matlock & Vicious and the drums of Cook.
To merely write this album off as a bunch of ragged punk rockers recording an album of loud, grating noise, lacking in melody with a shredding vocalist would be a big mistake.
Sex Pistols opened the flood gates for a generation of bands to rebel against society, political hypocrisy and corporate control - however none came close to the punchy, overwhelming energy and take no prisoner's attitude of the Pistols'.
A twelve-track musical revolution with a force that shook the framework of music history forever, with an influence so profound it's unconfined to genres, or generations.
It seems only appropriate to start off 2012 by talking about, perhaps, the most influential and groundbreaking album in music history.
Ladies and Gentleman, I give you the album that changed everything...
Never Mind The Bollocks, Here's The Sex Pistols - Sex Pistols.
Released in 1977 to a barrage of controversy from the 'obscene' album name, to the opposition over the lyrics to songs 'Anarchy in the U.K' and 'God save the Queen', Never Mind The Bollocks, Here's The Sex Pistols was to be the only album the band ever recorded and released.
Rotten's assault of angry vocals with a bitter, spit-slurring, foaming delivery was the first of it's kind at the time of release, as was his use of profanity to convey the band's message in the most impolite, and controversial manner possible. Despite the alternating between screaming, whining and growling the Pistols' managed to do what so many bands have failed to do since them: clearly present the listeners with harsh social critiques and commentaries, as loud and clear as a smack in the face, under a wall of noise and rage brought to us by the bass guitar of Jones, Matlock & Vicious and the drums of Cook.
To merely write this album off as a bunch of ragged punk rockers recording an album of loud, grating noise, lacking in melody with a shredding vocalist would be a big mistake.
Sex Pistols opened the flood gates for a generation of bands to rebel against society, political hypocrisy and corporate control - however none came close to the punchy, overwhelming energy and take no prisoner's attitude of the Pistols'.
A twelve-track musical revolution with a force that shook the framework of music history forever, with an influence so profound it's unconfined to genres, or generations.
Labels:
album review,
albums,
music,
music history,
punk,
Sex Pistols
Monday, 26 December 2011
My Favourite Albums of 2011.
La Dispute - Wildlife (No Sleep Records, October)
We Are The Ocean - Go Now and Live (Hassle Records, April)
Rival Schools - Pedals (Atlantic, March)
Anthrax - Worship Music (Megaforce, September)
Funeral For A Friend - Welcome Home Armageddon (Distiller Records, March)
D.R.U.G.S - Destroy Rebuild Until God Shows (Sire, February)
You Me At Six - Sinners Never Sleep (Virgin Records, September)
The King Blues - Punk & Poetry. (Transmission Recordings, April)
Deaf Havana - Fools and Worthless Liars. (BMG, November)
Foo Fighters - Wasting Light (RCA, April)
Rise Against - End Game (Interscope, March)
Red Hot Chili Peppers - I'm With You (Warner Bros, August)
Saves The Day - Daybreak (Razor & Tie, September)
Beastie Boys - Hot Sauce Committee Part Two (Capitol, April)
Sum 41 - Screaming Bloody Murder (Island, March)
Labels:
2011,
albums,
anthrax,
beastie boys,
deaf havana,
foo fighters,
funeral for a friend,
hardcore,
king blues,
metal,
music,
punk,
red hot chili peppers,
rise against,
rock,
sum 41,
we are the ocean
Tuesday, 20 December 2011
Enter Shikari.
There is not another band, in my humble opinion, more important or relevant than Enter Shikari right now. If you thought they were good already - wait until next year.
2012 belongs to Enter Shikari.
2012 belongs to Enter Shikari.
Sunday, 21 August 2011
You may call it a path, I call it hauling my ass.
I feel like right now is the perfect time for me to tell you all about the love of my life: Marshall Mathers.
Sounds silly really doesn't it? Love of my life - I've never met the bloke. Regardless, he is and always will be.
It seems like everyone knows I love him, and people often say 'do you still love eminem' as if I've all of sudden stopped listening to him. No one knows why though, so I might as well share it with you all.
It's bittersweet for me to watch his performance at V festival, he's certainly not the Slim Shady of old but a new man standing in the place of the peroxide blonde, potty-mouthed maverick from Detroit. The endearing slap-dash, put together at the last minute, fast paced performances are long gone now.
I'm lucky enough to have cool parents who weren't ever afraid to let me make my own choices (except for football teams, I had no choice there.) I chose from an early age what kind of a person I was - I knew I just didn't give a fuck what anyone thought of me, and certainly not in an offensive sense but in the sense that if it made me happy I'm going to pursue it, do it no matter what others think. I suppose, given this outlook I had on life, it was only a matter of time before I would find, let's say, my hero. I listened to his music on my walkman all day long frantically learning his lyrics and looking up words in the dictionary so I could understand. This resulted in me having a very broad, if not vulgar, grasp on the english language from an early age. But, The Marshall Mathers LP in particular, taught me a lot about life - other people, relationships, sex, drugs, love, hate, you name it, I knew about it all. I didn't want to watch Disney, I wanted to listen to Eminem.
I know it's a cliche, and become fashionable, to describe someone like Eminem as a 'hero' because he built himself up from nothing and came from the wrong side of the tracks and now he's a multi-millionaire, platinum-selling recording artist superstar isn't he? Yes, but that is irrelevant to me. The catch there, of course, is that if he wasn't all of the above I may never have heard of him and therefore would not be sitting here today declaring my undying love for him all over the internet. I don't like his music because it's popular - it hasn't always been, you can't imagine the negative reactions I got when I said he was my favourite.
People ask me all the time, why do you like him so much? Now, you must remember this was long before he became the phenomenon that he is right now - now, it seems everyone loves him, he's everyone's hero.
He practically fell off the face of the earth a few years ago, got fat and became a recluse - it wasn't so cool then to admit he was your hero then.
Back to why. Why I like him so much:
Firstly, he's clever. He's ferociously intelligent - his grasp of linguistics is unfathomable to most. The way he weaves in between metaphors and euphemisms that go over most people's heads is exciting to me. I enjoy listening to him because he's a fucking genius. He'll teach you so much about the world we live in if you listen to him carefully.
He's philosophical. Most people associate Eminem with profanities and lude and suggestive content but little recognize his deeper side. 'In the land of the killers, a sinner's mind is a sanctum' is one of the greatest and most poignant things I ever heard - it took me ages to get my head around.
He's hilarious. His sense of humour could be deemed controversial and offensive, but he's only fucking with society's stereotypes and throwing them back in your face. See, when he calls a gay man a 'faggot' everyone calls him homophobic, yet the world we live in is filled with homophobia - you only have to read magazines, watch tv or listen to the radio to realise that - he's just proving a point in the only way he knows how. Eminem supports gay marriage - still think he's homophobic? He embodies (or used to embody) everything that society was/is but found offensive. Society is racist, homophobic, sexist, ageist, cruel to animals, rude, stereotypical and xenophobic so he used all of those things in his songs and guess what? People went nuts, they literally protested and abhorred him whilst utterly blind to the fact that they were protesting about themselves. The way he challenges society's perceptions of right and wrong is something that I find fascinating and admirable... 'So what about the make-up you allow your 12-year-old daughter to wear?'
He challenges stereotypes. Stating the obvious here but he is white. He is white in an industry that was dominated, almost totally, by people of black origin - he's just a skinny little white kid with blond hair squaring up to hip-hop masters like it's no big deal, and you know what half of 'em couldn't lace his boots.
He is who he is without any apologies. Sure, he says things that are outrageous, and shocking but he is true to himself. I've made mistakes in my life, plenty in fact, but I take great comfort in the knowledge that at least I was being me. I can forgive myself anything, but I could not forgive myself for changing who I was to please anyone else. This is the single biggest reason why I adore Eminem - The irony of the song 'The way I am' is so fantastic when he declares 'I am whatever you say I am' because he simply is not. He is not what we, the media, the public, the press, his fans, whoever says he is - he is who he says he is, and that is exactly how it fucking should be. If you listen to 'no apologies' it will give you a sense of him, and where he's coming from.
I identify parts of me in people all the time, and in Eminem it's the refusal to succumb to society's demands and expectations - this aspect of his character is so much like Kurt Cobain which makes it seem completely plausible for me feel at home listening to both grunge and hip-hop if these two are in command of the microphone.
I won't pretend it doesn't wind me up a little bit when my facebook homepage is full of girls bragging that Eminem is their favourite thing on earth - but I never heard you mention him before 'love the way you lie'. It only frustrates me because it makes it seem as though I love him because it's what everyone else does - everyone loves Eminem now don't they.
It hurts me to see him change in the way that he has, I honestly never imagined he would have sold out but he has. His first few albums were aggressive, raw, powerful and inspiring - it was like he made music because it was in his blood, pulsing through his veins and he just spilled his guts on the page and spit his emotions through a microphone. Now, it feels like money. The creativity has faded and the lyrics that were once explosive and sporadic are structured and rehearsed.
Since I was 6 I've been fascinated by Eminem - by his public persona and his beautifully intelligent lyrics. I don't care if he's sexy or who he's dating or what car he drives. I don't care if he's, possibly, the biggest 'superstar' in the world today.
Yes, when I have a shit day I listen to his music but it's so much deeper than that, this relationship I have with him, with his music...I only care that he's the reason that I have fire in my belly, and I live my life by my rules and no one elses.
Sounds silly really doesn't it? Love of my life - I've never met the bloke. Regardless, he is and always will be.
It seems like everyone knows I love him, and people often say 'do you still love eminem' as if I've all of sudden stopped listening to him. No one knows why though, so I might as well share it with you all.
It's bittersweet for me to watch his performance at V festival, he's certainly not the Slim Shady of old but a new man standing in the place of the peroxide blonde, potty-mouthed maverick from Detroit. The endearing slap-dash, put together at the last minute, fast paced performances are long gone now.
I'm lucky enough to have cool parents who weren't ever afraid to let me make my own choices (except for football teams, I had no choice there.) I chose from an early age what kind of a person I was - I knew I just didn't give a fuck what anyone thought of me, and certainly not in an offensive sense but in the sense that if it made me happy I'm going to pursue it, do it no matter what others think. I suppose, given this outlook I had on life, it was only a matter of time before I would find, let's say, my hero. I listened to his music on my walkman all day long frantically learning his lyrics and looking up words in the dictionary so I could understand. This resulted in me having a very broad, if not vulgar, grasp on the english language from an early age. But, The Marshall Mathers LP in particular, taught me a lot about life - other people, relationships, sex, drugs, love, hate, you name it, I knew about it all. I didn't want to watch Disney, I wanted to listen to Eminem.
I know it's a cliche, and become fashionable, to describe someone like Eminem as a 'hero' because he built himself up from nothing and came from the wrong side of the tracks and now he's a multi-millionaire, platinum-selling recording artist superstar isn't he? Yes, but that is irrelevant to me. The catch there, of course, is that if he wasn't all of the above I may never have heard of him and therefore would not be sitting here today declaring my undying love for him all over the internet. I don't like his music because it's popular - it hasn't always been, you can't imagine the negative reactions I got when I said he was my favourite.
People ask me all the time, why do you like him so much? Now, you must remember this was long before he became the phenomenon that he is right now - now, it seems everyone loves him, he's everyone's hero.
He practically fell off the face of the earth a few years ago, got fat and became a recluse - it wasn't so cool then to admit he was your hero then.
Back to why. Why I like him so much:
Firstly, he's clever. He's ferociously intelligent - his grasp of linguistics is unfathomable to most. The way he weaves in between metaphors and euphemisms that go over most people's heads is exciting to me. I enjoy listening to him because he's a fucking genius. He'll teach you so much about the world we live in if you listen to him carefully.
He's philosophical. Most people associate Eminem with profanities and lude and suggestive content but little recognize his deeper side. 'In the land of the killers, a sinner's mind is a sanctum' is one of the greatest and most poignant things I ever heard - it took me ages to get my head around.
He's hilarious. His sense of humour could be deemed controversial and offensive, but he's only fucking with society's stereotypes and throwing them back in your face. See, when he calls a gay man a 'faggot' everyone calls him homophobic, yet the world we live in is filled with homophobia - you only have to read magazines, watch tv or listen to the radio to realise that - he's just proving a point in the only way he knows how. Eminem supports gay marriage - still think he's homophobic? He embodies (or used to embody) everything that society was/is but found offensive. Society is racist, homophobic, sexist, ageist, cruel to animals, rude, stereotypical and xenophobic so he used all of those things in his songs and guess what? People went nuts, they literally protested and abhorred him whilst utterly blind to the fact that they were protesting about themselves. The way he challenges society's perceptions of right and wrong is something that I find fascinating and admirable... 'So what about the make-up you allow your 12-year-old daughter to wear?'
He challenges stereotypes. Stating the obvious here but he is white. He is white in an industry that was dominated, almost totally, by people of black origin - he's just a skinny little white kid with blond hair squaring up to hip-hop masters like it's no big deal, and you know what half of 'em couldn't lace his boots.
He is who he is without any apologies. Sure, he says things that are outrageous, and shocking but he is true to himself. I've made mistakes in my life, plenty in fact, but I take great comfort in the knowledge that at least I was being me. I can forgive myself anything, but I could not forgive myself for changing who I was to please anyone else. This is the single biggest reason why I adore Eminem - The irony of the song 'The way I am' is so fantastic when he declares 'I am whatever you say I am' because he simply is not. He is not what we, the media, the public, the press, his fans, whoever says he is - he is who he says he is, and that is exactly how it fucking should be. If you listen to 'no apologies' it will give you a sense of him, and where he's coming from.
I identify parts of me in people all the time, and in Eminem it's the refusal to succumb to society's demands and expectations - this aspect of his character is so much like Kurt Cobain which makes it seem completely plausible for me feel at home listening to both grunge and hip-hop if these two are in command of the microphone.
I won't pretend it doesn't wind me up a little bit when my facebook homepage is full of girls bragging that Eminem is their favourite thing on earth - but I never heard you mention him before 'love the way you lie'. It only frustrates me because it makes it seem as though I love him because it's what everyone else does - everyone loves Eminem now don't they.
It hurts me to see him change in the way that he has, I honestly never imagined he would have sold out but he has. His first few albums were aggressive, raw, powerful and inspiring - it was like he made music because it was in his blood, pulsing through his veins and he just spilled his guts on the page and spit his emotions through a microphone. Now, it feels like money. The creativity has faded and the lyrics that were once explosive and sporadic are structured and rehearsed.
Since I was 6 I've been fascinated by Eminem - by his public persona and his beautifully intelligent lyrics. I don't care if he's sexy or who he's dating or what car he drives. I don't care if he's, possibly, the biggest 'superstar' in the world today.
Yes, when I have a shit day I listen to his music but it's so much deeper than that, this relationship I have with him, with his music...I only care that he's the reason that I have fire in my belly, and I live my life by my rules and no one elses.
'A Sheep in Wolf's clothing'
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