Showing posts with label eminem. Show all posts
Showing posts with label eminem. Show all posts

Thursday, 20 December 2012

Songs of the week

Coming Apart Again — Dear Prudence 



Inspired by The Cure, Siouxsie Sioux, and Depeche Mode, Brighton five-piece Dear Prudence have a powerful noir-pop sound fused with a dark and moodish stage presence, reminiscent of the 80's with their own fresh modern day twist. Singer songwriter Madi Poncia's smoky, haunting vocals are stunning and sure to leave you hitting repeat all day. Do yourself a huge favour, and check out their YouTube channel for more. 


Black Chandelier — Biffy Clyro



You know what I most love about Biffy? No, it's not Simon Neil's exquisite beard of Zeus. It's that after listening to one or two seconds of their music you KNOW it's them — but the magic lies in that they aren't samey. So many incredible bands create a beautiful, distinctive sound and stick with it — forever. And, yeah sure I can get behind that, if it ain't broke don't fix it right? Well, Biffy mix it up, they take risks, and they're creative. But most importantly they're always damn good. This is no exception. 


My Life — 50 Cent ft. Adam Levine and Eminem 



It's nothing new to hear Mr. Cent collaborate with Mr. Shady — but it is a risk. It's dangerous to have Eminem feature on your track because, inevitably, it becomes his track. But the two have worked together a million times, and it's never been anything short of fan-fucking-tastic.  Having said that, it was a genius move to bring the Maroon 5 frontman in  — his distinctive voice juxtaposes brilliantly with the rap verses. 

Tuesday, 12 June 2012

Ten albums everybody needs to own:

(or at least listen to once, or twice, or thrice... part 2!)


Common Dreads - Enter Shikari
Enter Shikari embody everything exciting and relevant about today’s generation of new musical talent. Common Dreads, their second studio album, was an assault on music genres worthless boundaries - they spat out a politically charged aggression with a fusion of dub, metal, and punk as they worked their way through experimental hooks, riffs, and breakdowns. This album has its own unique, and at times barbaric, sound - songs morph seemlessly from rock to electro to metal to techno to hardcore to country & western in the blink of an eye. In terms of sheer passion, and raw emotion this album can't be touched and If you think you can handle it, get amongst it! 
Favourite Track? Zzzonked. 


My War - Black Flag
My War is a loud, volatile, and aggressive album brimming with hardcore angst and true 'do-it-yourself' punk ideals. 
Alongside frontman Henry Rollins schizophrenic vocals is some stellar guitar work - riffs, and breakdowns moving from haunting to intimidating to modern pop-punk over the nine tracks.
Favourite Track? My War. 


Reign In Blood - Slayer
Is it the heaviest album of all time? Probably. Is it an undisputed masterpiece? Definitely. 
Widely thought of as a pinnacle of heavy metal, this album packs a ruthless and aggressive punch in less than 30 minutes. The lyrics violent content is mirrored in the brutal onslaught of high intensity guitar work, and lightning fast drumming, but despite the speed and hostility the precision and skill is there in abundance. Each track is as threatening and ominous as the last. 26 years on from its release this album is still stone cold classic, and as powerful and influential as ever.
Favourite Track? Raining Blood. 


Hunky Dory - David Bowie
With the release of this, now infamous, album David Bowie made his mark as one of music's visionaries. A sparkling glam-rock album infused with touches of electro, rock, and acoustic shows off Bowie's versatility and genius songwriting. 
Favourite Track? Life On Mars? 


The Marshall Mathers LP - Eminem
Eminem's penchant for bitter tirades, lyrical play, self-referential personas, and ice cold nihilism intertwine to produce a hip-hop classic, that is perhaps his greatest achievement as an artist. Lyrically exploring his twisted mind as he ploughs through his youth, pop culture, and shape shifts through his many personas. Sonically swinging from emotive and moody to compelling and uplifting. As offensive as it is genius, and full of flair and cultural poignance this is an album that belongs in everyone's collection. 
Favourite Track? Who Knew.

Thursday, 7 June 2012

Vintage Slim.



And there's a million of us just like me; who cuss like me; who just don't give a fuck like me; who dress like me; who walk, talk and act like me, and just might the next best thing but not quite me... 

Sunday, 21 August 2011

You may call it a path, I call it hauling my ass.

I feel like right now is the perfect time for me to tell you all about the love of my life: Marshall Mathers.

Sounds silly really doesn't it? Love of my life - I've never met the bloke. Regardless, he is and always will be.
It seems like everyone knows I love him, and people often say 'do you still love eminem' as if I've all of sudden stopped listening to him. No one knows why though, so I might as well share it with you all.

It's bittersweet for me to watch his performance at V festival, he's certainly not the Slim Shady of old but a new man standing in the place of the peroxide blonde, potty-mouthed maverick from Detroit. The endearing slap-dash, put together at the last minute, fast paced performances are long gone now.
I'm lucky enough to have cool parents who weren't ever afraid to let me make my own choices (except for football teams, I had no choice there.) I chose from an early age what kind of a person I was - I knew I just didn't give a fuck what anyone thought of me, and certainly not in an offensive sense but in the sense that if it made me happy I'm going to pursue it, do it no matter what others think. I suppose, given this outlook I had on life, it was only a matter of time before I would find, let's say, my hero. I listened to his music on my walkman all day long frantically learning his lyrics and looking up words in the dictionary so I could understand. This resulted in me having a very broad, if not vulgar, grasp on the english language from an early age. But, The Marshall Mathers LP in particular, taught me a lot about life - other people, relationships, sex, drugs, love, hate, you name it, I knew about it all. I didn't want to watch Disney, I wanted to listen to Eminem.
I know it's a cliche, and become fashionable, to describe someone like Eminem as a 'hero' because he built himself up from nothing and came from the wrong side of the tracks and now he's a multi-millionaire, platinum-selling recording artist superstar isn't he? Yes, but that is irrelevant to me. The catch there, of course, is that if he wasn't all of the above I may never have heard of him and therefore would not be sitting here today declaring my undying love for him all over the internet. I don't like his music because it's popular - it hasn't always been, you can't imagine the negative reactions I got when I said he was my favourite.
People ask me all the time, why do you like him so much? Now, you must remember this was long before he became the phenomenon that he is right now - now, it seems everyone loves him, he's everyone's hero.
He practically fell off the face of the earth a few years ago, got fat and became a recluse - it wasn't so cool then to admit he was your hero then.
Back to why. Why I like him so much:
Firstly, he's clever. He's ferociously intelligent - his grasp of linguistics is unfathomable to most. The way he weaves in between metaphors and euphemisms that go over most people's heads is exciting to me. I enjoy listening to him because he's a fucking genius. He'll teach you so much about the world we live in if you listen to him carefully.
He's philosophical. Most people associate Eminem with profanities and lude and suggestive content but little recognize his deeper side. 'In the land of the killers, a sinner's mind is a sanctum' is one of the greatest and most poignant things I ever heard - it took me ages to get my head around.
He's hilarious. His sense of humour could be deemed controversial and offensive, but he's only fucking with society's stereotypes and throwing them back in your face. See, when he calls a gay man a 'faggot' everyone calls him homophobic, yet the world we live in is filled with homophobia - you only have to read magazines, watch tv or listen to the radio to realise that - he's just proving a point in the only way he knows how. Eminem supports gay marriage - still think he's homophobic? He embodies (or used to embody) everything that society was/is but found offensive. Society is racist, homophobic, sexist, ageist, cruel to animals, rude, stereotypical and xenophobic so he used all of those things in his songs and guess what? People went nuts, they literally protested and abhorred him whilst utterly blind to the fact that they were protesting about themselves. The way he challenges society's perceptions of right and wrong is something that I find fascinating and admirable... 'So what about the make-up you allow your 12-year-old daughter to wear?'
He challenges stereotypes. Stating the obvious here but he is white. He is white in an industry that was dominated, almost totally, by people of black origin - he's just a skinny little white kid with blond hair squaring up to hip-hop masters like it's no big deal, and you know what half of 'em couldn't lace his boots.
He is who he is without any apologies. Sure, he says things that are outrageous, and shocking but he is true to himself. I've made mistakes in my life, plenty in fact, but I take great comfort in the knowledge that at least I was being me. I can forgive myself anything, but I could not forgive myself for changing who I was to please anyone else. This is the single biggest reason why I adore Eminem - The irony of the song 'The way I am' is so fantastic when he declares 'I am whatever you say I am' because he simply is not. He is not what we, the media, the public, the press, his fans, whoever says he is - he is who he says he is, and that is exactly how it fucking should be. If you listen to 'no apologies' it will give you a sense of him, and where he's coming from.
I identify parts of me in people all the time, and in Eminem it's the refusal to succumb to society's demands and expectations - this aspect of his character is so much like Kurt Cobain which makes it seem completely plausible for me feel at home listening to both grunge and hip-hop if these two are in command of the microphone.
I won't pretend it doesn't wind me up a little bit when my facebook homepage is full of girls bragging that Eminem is their favourite thing on earth - but I never heard you mention him before 'love the way you lie'. It only frustrates me because it makes it seem as though I love him because it's what everyone else does - everyone loves Eminem now don't they.
It hurts me to see him change in the way that he has, I honestly never imagined he would have sold out but he has. His first few albums were aggressive, raw, powerful and inspiring - it was like he made music because it was in his blood, pulsing through his veins and he just spilled his guts on the page and spit his emotions through a microphone. Now, it feels like money. The creativity has faded and the lyrics that were once explosive and sporadic are structured and rehearsed.
Since I was 6 I've been fascinated by Eminem - by his public persona and his beautifully intelligent lyrics. I don't care if he's sexy or who he's dating or what car he drives. I don't care if he's, possibly, the biggest 'superstar' in the world today.
Yes, when I have a shit day I listen to his music but it's so much deeper than that, this relationship I have with him, with his music...I only care that he's the reason that I have fire in my belly, and I live my life by my rules and no one elses.


'A Sheep in Wolf's clothing'